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영상기호론으로 살펴보는 이미지의 인식론적 발전과정: 기술과 감각
Epistemological Developmental Process of Image in Terms of Image Semiotic

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Authors
선미라
Issue Date
2006
Publisher
서울대학교 철학사상연구소
Citation
철학사상, Vol.22, pp.205-245
Keywords
영상예술영상 심미안
Abstract
Natural, historical and spiritual interpretations of images have
previously been done. This study, however, is an epistemological
examination of images in terms of semiotics based on traditional
image studies. By combining the journey of imagery and sensory
phenomenon with developmental process of image mechanisms, this
study unfolds images as a window to the spirit of Aristotle and
Bazin's theory of imagery that highlights an aesthetic view as a
sensory action of humans. Its unfolding expands to the cultural
grafting of images of contemporary societies.
Mechanical devices such as cameras, camera obscura and slide
projectors were designed to visually represent at a deeper level our
auditory and visual desires. Ironically, such mechanical developments
has led to stronger needs in human aesthetic sensory activities.
Specific devices for this are well explained by four types of images
classified in terms of semiotics, but future-oriented developmental
models of images are still placed in unstable structures. However, it
is suggested that various art forms generated from the never ending
time-phases and dynamism of time work as a matrix that can
overcome such difficulties. Finally we can concurrently estimate that
in the end only perception and sensation can bring changes to images.
ISSN
1226-7007
Language
Korean
URI
http://hdl.handle.net/10371/12484
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College of Humanities (인문대학)Philosophy (철학과)철학사상철학사상 22호 (2006)
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