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한국 근대 시문학에서의 낭만주의 문학 담론의 미적 근대성 연구 - 1920~1930년대 낭만주의 시문학 -
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 이미경 | - |
dc.date.accessioned | 2010-05-19 | - |
dc.date.available | 2010-05-19 | - |
dc.date.issued | 2003-06 | - |
dc.identifier.citation | 한국문화, Vol.31, pp. 109-143 | - |
dc.identifier.issn | 1226-8356 | - |
dc.identifier.uri | https://hdl.handle.net/10371/66716 | - |
dc.description.abstract | This study is on the Romanticism of Korean modern poetry. The poetry and the thought about the aesthetic modernity of the Poets involved in literary coterie such as 『Pe-heo』, 『Baec-jo』and Kim So-Weol. Kim, Eok in 1920s', Park, Yong-Chul, Kim, Young-Rang in 1930s' is the major target of this study. The Poets involved in literary coterie such as 『Pe-heo』, 『Baec-jo』failed the recognition of real aesthetic modernity but they regarded the aesthetic modernity not as resistance against the modern society but as resistance against old establishment. Kim So-Weol, Kim, Eok had attention to the fidelity of emotion and recognized the tense relation between the modern seciety and aesthetic modernity. The concept of 'aesthetic autonomy' in Park, Yong-Chul was considered as the logic of literary circle and in Kim Young-Rang, the logic of the will to live. As conclusion, Korean literary discours of romanticism is unfixed and progressive problem. | - |
dc.language.iso | ko | - |
dc.publisher | 서울대학교 규장각한국학연구원 | - |
dc.title | 한국 근대 시문학에서의 낭만주의 문학 담론의 미적 근대성 연구 - 1920~1930년대 낭만주의 시문학 - | - |
dc.type | SNU Journal | - |
dc.citation.journaltitle | 한국문화 | - |
dc.citation.endpage | 143 | - |
dc.citation.pages | 109-143 | - |
dc.citation.startpage | 109 | - |
dc.citation.volume | 31 | - |
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