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한국 전후시에 나타난 '가족' 모티브 연구
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- Authors
- Issue Date
- 2005-06
- Publisher
- 서울대학교 규장각한국학연구원
- Citation
- 한국문화, Vol.35, pp. 119-157
- Abstract
- This thesis has attempted to explain the poetics of Sukwon Song through
Han(恨) which is one of Korean traditional sentiments. His poetics has
been studied in relation with that of poets who mainly deal with Han in
their poems and he himself admitted that he deals with such Han as
springing from the bottom of our heart in his poems. As shown above,
Han constitutes the fundamental structure of sentiment in Songs poems
and therefore his poetics should be studied in the light of Han. In his
earlier poems, Han is powerful feeling amounting to ressentiment' of
Nietzsche, having a potential to be concentrated into the resistant power of
people against the authoritarian society. On the other hand, his later poems
are involved with the resolution of this sentiment. Han cannot but be
settled little by little because it is not so much collective resentments as
individual feelings in itself. Through these recent works, Song realized the
unique aesthetics of his own, that is, poetics of fermentation by resolving
Han with the help of his southern vernacular.This paper examined the meaning that family narratives planned by
post-war poets. They took families that exposed their fear and anxiety of
death and families that were faced with a crisis of dissolution as important
subject in their poetry.
The father appears in a variety of guises in post-war poetry. Bak
Inhwan introduces a powerless father. This father is the poet's medium for
denouncing the violence of an era that brought about the division of the
subject. Kim Suyeong's introspection on the position of the father is
ultimately a criticism of familialism, and this is connected to a criticism of
the nationalistic system that produces familialism. On the other hand, that
father in the works of traditionalist post-war poets is a traditional patriarch.
They take on the roles of fathers who supervise the perfect family
community order.
However, the mother in Bak Jaesam's works sturdily supports that
narrative of loss created by the absence of the father. Through the mother,
the poetic self on the one hand overcomes a crisis of existence, and on the
other hand depicts a new family order. The family motif in Kim Jongsam's
poetry is characterized by the fact that it shows an open family narrative
that accepts a suffering other into a new family.
- ISSN
- 1226-8356
- Language
- Korean
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