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Tang Music and music of the Song dynasy Lectures for SNU
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Picken, Laurence | - |
dc.date.accessioned | 2014-01-08T07:12:40Z | - |
dc.date.available | 2014-01-08T07:12:40Z | - |
dc.date.issued | 1990 | - |
dc.identifier.citation | 민족음악학, Vol.12, pp. 13-24 | - |
dc.identifier.uri | https://hdl.handle.net/10371/86836 | - |
dc.description.abstract | With the publication of Fascicle 6 of our series: Music from the Tang Court, my former doctoral pupils and 1 will have completed our transcription and, together with Professor Noel Nickson, our preliminary study of the first mode-key group of that portion of the repertory of Japanese Court Music known as Togaku/Tangyue (唐樂) -'Tang Music' in the sense of the tunes revealed on transcribing the oldest scores for mouth-organ, zither, and lute.
It is necessary to use a term such as 'mode-key' since the Chinese term diao 'system' (調), and in particular the 28 diao of the Tang, comprised four different heptatonic octavespecies, or note-sets, each in seven different keys. This first mode-key group, known to the Japanese as Ichikotsu-cho, (一越調), was known to the Chinese simply as Yuediao (趣調). I suggest that the '1' crept into the name of the mode-key because the Yuediao was the first mode in the system of Tang. | - |
dc.language.iso | en | - |
dc.publisher | 서울대학교 음악대학 동양음악연구소 | - |
dc.title | Tang Music and music of the Song dynasy Lectures for SNU | - |
dc.type | SNU Journal | - |
dc.citation.journaltitle | 민족음악학 | - |
dc.citation.endpage | 24 | - |
dc.citation.pages | 13-24 | - |
dc.citation.startpage | 13 | - |
dc.citation.volume | 12 | - |
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