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Zweite Heimat-zweite Fremde : Second Homeland, Second Outland
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Seel, Daniel N | - |
| dc.date.accessioned | 2014-01-14T05:37:46Z | - |
| dc.date.available | 2014-01-14T05:37:46Z | - |
| dc.date.issued | 2012-12 | - |
| dc.identifier.citation | 동양음악, Vol.34, pp. 157-181 | - |
| dc.identifier.issn | 1975-0218 | - |
| dc.identifier.uri | https://hdl.handle.net/10371/87933 | - |
| dc.description.abstract | Before I first came to Korea, I had already written, or at least had begun to write, a great deal of "Korean" pieces, For example, just to name two of them : The musical parade about IMUGI (이무기, 1992) is a strange hybrid of serpent and dragon, an odd composition with similarities to German carnival and Chinese dragon processions, religious rituals, military marches, and an avant-garde scouting of space and time. Also, the one-hour Cello-solo-piece Skordaturen II(1992~94), refers to the slow movements Jinyang(진양) and Jung-mori(중모리) of Komun'go-Sanjo(거문고 산조). | - |
| dc.language.iso | de | - |
| dc.publisher | 서울대학교 음악대학 동양음악연구소 | - |
| dc.title | Zweite Heimat-zweite Fremde | - |
| dc.title.alternative | Second Homeland, Second Outland | - |
| dc.type | SNU Journal | - |
| dc.citation.journaltitle | 동양음악(Journal of the Asian Music Research Institute) | - |
| dc.citation.endpage | 181 | - |
| dc.citation.pages | 157-181 | - |
| dc.citation.startpage | 157 | - |
| dc.citation.volume | 34 | - |
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