Publications
Detailed Information
伽倻琴散調 중중모리樂章의 調構成 -鄭達榮의 散調를 중심으로- : The Key Structure of Jungjungmori in the Kayagŭm Sanjo
Cited 0 time in
Web of Science
Cited 0 time in Scopus
- Authors
- Issue Date
- 1993
- Publisher
- 서울대학교 음악대학 동양음악연구소
- Citation
- 민족음악학, Vol.15, pp. 43-94
- Keywords
- Chung ; Tal-Young ; Jogusong ; Chong ; Jo ; Pyongjochong ; Ujochong ; Pyongjootchong ; Ujootchong ; Pyongjo ; Kyemyonjo ; Pyongjochong Kyemyonjo ; Pyongjochong Pyongjo ; Pyongjootchong Kyemyonjo ; Ujochong Kyemyonjo
- Abstract
- Chung, Tal-Young, the famous Korean kayagum player, always improvises
Sanjo melodies whenever he performs. To find out the principles of the
improvisation in his Sanjo although the melodies differ each time, in this paper,
especially Jogusong (it means the combination of Key and Scale) of
Chungjungmori Movement was analyzed. The analysis divided the melody of
Sanjo into Chong (Key) and Jo (Scale). In 뻐is paper, to give a clear meaning to
the word Chong and to facilitate discussion, if Chong occurred on the sixth string
of the Kayagum(g,징), it was named Pyongjochong and if on the seventh (a, 땅), it
was named Ujochong. When Chong appeared on the ninth string (d' ,찡), which
was Pyongjochong transffered a perfect fifth up or perfect fourth down, it was
named Pyongjootchong and when on the tenth string (e, 칭), which was Ujochong
transfferd in a similiar way, it was named Ujoochong. Also Jo was discussed
according to the Korean traditional Jo (Scale): -Pyongjo and kyemyonjo.
- Language
- Korean
- Files in This Item:
Item View & Download Count
Items in S-Space are protected by copyright, with all rights reserved, unless otherwise indicated.