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현대한국음악을 위한 삼분손익법에 관한 연구
A Study on 'Sambunsonikbub for Modern Music in Korea

DC Field Value Language
dc.contributor.author金炳勳-
dc.date.accessioned2014-01-08T07:24:19Z-
dc.date.available2014-01-08T07:24:19Z-
dc.date.issued1993-
dc.identifier.citation민족음악학, Vol.15, pp. 95-121-
dc.identifier.urihttps://hdl.handle.net/10371/86853-
dc.description.abstractThe system of tone ratio which is used in Korean traditional music is explained

by Eum yang ron in Akhakkuebum'. Eumyangron is, by its nature, hard to be

explained by modem science, therefore, is not fully understood.

In the past, Some efforts were done to explain Sambunsonikbub in terms of

western music theory. But these efforts had some incompleteness in their

interpretation ofEumyangron'.

As a result, the tone ratio drawn from these efforts cannot support the

performance of Korean traditional music appropriately.

This article introduces new study to interprete the Eumyangron using the

Relative concept'. This study uses general aspect to explain upward-progression

and relative aspect for downward-progression. By doing this, it becomes possible

to prove that the tone ratio used in Akhakkuebum can be fully explained by

western music theory without any incompleteness.
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dc.language.isoko-
dc.publisher서울대학교 음악대학 동양음악연구소-
dc.title현대한국음악을 위한 삼분손익법에 관한 연구-
dc.title.alternativeA Study on 'Sambunsonikbub for Modern Music in Korea-
dc.typeSNU Journal-
dc.contributor.AlternativeAuthorKim, Byung-Hoon-
dc.citation.journaltitle민족음악학-
dc.citation.endpage121-
dc.citation.pages95-121-
dc.citation.startpage95-
dc.citation.volume15-
Appears in Collections:
College of Music (음악대학)Asian Music Research Institute (동양음악연구소)Journal of the Asian Music Research Institute (동양음악) 민족음악학 Volume 15 (1993)
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