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한국 전후시에 나타난 '가족' 모티브 연구
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 남기혁 | - |
dc.date.accessioned | 2010-05-19T04:46:37Z | - |
dc.date.available | 2010-05-19T04:46:37Z | - |
dc.date.issued | 2005-06 | - |
dc.identifier.citation | 한국문화, Vol.35, pp. 119-157 | - |
dc.identifier.issn | 1226-8356 | - |
dc.identifier.uri | https://hdl.handle.net/10371/66762 | - |
dc.description.abstract | This thesis has attempted to explain the poetics of Sukwon Song through
Han(恨) which is one of Korean traditional sentiments. His poetics has been studied in relation with that of poets who mainly deal with Han in their poems and he himself admitted that he deals with such Han as springing from the bottom of our heart in his poems. As shown above, Han constitutes the fundamental structure of sentiment in Songs poems and therefore his poetics should be studied in the light of Han. In his earlier poems, Han is powerful feeling amounting to ressentiment' of Nietzsche, having a potential to be concentrated into the resistant power of people against the authoritarian society. On the other hand, his later poems are involved with the resolution of this sentiment. Han cannot but be settled little by little because it is not so much collective resentments as individual feelings in itself. Through these recent works, Song realized the unique aesthetics of his own, that is, poetics of fermentation by resolving Han with the help of his southern vernacular.This paper examined the meaning that family narratives planned by post-war poets. They took families that exposed their fear and anxiety of death and families that were faced with a crisis of dissolution as important subject in their poetry. The father appears in a variety of guises in post-war poetry. Bak Inhwan introduces a powerless father. This father is the poet's medium for denouncing the violence of an era that brought about the division of the subject. Kim Suyeong's introspection on the position of the father is ultimately a criticism of familialism, and this is connected to a criticism of the nationalistic system that produces familialism. On the other hand, that father in the works of traditionalist post-war poets is a traditional patriarch. They take on the roles of fathers who supervise the perfect family community order. However, the mother in Bak Jaesam's works sturdily supports that narrative of loss created by the absence of the father. Through the mother, the poetic self on the one hand overcomes a crisis of existence, and on the other hand depicts a new family order. The family motif in Kim Jongsam's poetry is characterized by the fact that it shows an open family narrative that accepts a suffering other into a new family. | - |
dc.language.iso | ko | - |
dc.publisher | 서울대학교 규장각한국학연구원 | - |
dc.title | 한국 전후시에 나타난 '가족' 모티브 연구 | - |
dc.type | SNU Journal | - |
dc.contributor.AlternativeAuthor | Nam, Ki-hyeog | - |
dc.citation.journaltitle | 한국문화 | - |
dc.citation.endpage | 157 | - |
dc.citation.pages | 119-157 | - |
dc.citation.startpage | 119 | - |
dc.citation.volume | 35 | - |
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