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La "operación literaria" de Mario Benedetti : The literary Operation" of Mario Benedetti
DC Field | Value | Language |
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dc.contributor.author | Restrepo, Juan Manuel Cuartas | - |
dc.date.accessioned | 2012-11-14T04:21:26Z | - |
dc.date.available | 2012-11-14T04:21:26Z | - |
dc.date.issued | 2012-04 | - |
dc.identifier.citation | Revista Iberoamericana, Vol.23 No.1, pp. 95-126 | - |
dc.identifier.issn | 1598-7779 | - |
dc.identifier.uri | https://hdl.handle.net/10371/79283 | - |
dc.description.abstract | El presente artículo se ha trazado como objetivo realizar una indagación en tomo a la noción de operación literaria", que si bien no se propone como un referente canónico de la crítica literaria, onsideramos que constituye un parámetro
útil para observar la labor de un escritor. El concepto de operación literaria" ha sido tomado de la conocida obra del ensayista mexicano Alfonso Reyes, La períencia líteraría, mientras que el autor en quien se ha hecho la indagación es el escritor uruguayo Mario Benedetti. Pese a que Benedetti es igualmente narrador, ensayista y poeta, la elección que hemos considerado más apropiada a su operación literaria" ha recaído en su poesía, de la que se ha hecho una revisión crítica a través de valoraciones como: la noción misma de operación", el énfasis de verdad que revela su escritura, la consideración de la escritura como acto de celebración, y lo que consideramos como un rescate del prosaísmo. En el desarrollo de cada uno de estos asuntos se ha buscado ilustrar e interpretar los móviles que consiguen, en la operación literaria" de Benedetti, un vínculo ivencialy combativo con ellector. La valoración final recae sobre la noción hermenéutica de fusión de horizontes", con la que se define la condición de diálogo que de modo muy particular alcanza la poesía de Benedetti. This article investigates the notion of literary operation'. Although the term is not considered as a canon of literary criticism, it can be employed as a useful tool to monitor the work of a writer. The notion of literary operation' was coined by a Mexican writer Alfonso Reyes in his essay: La experiencía líteraria. This notion can be applied to the work of Uruguayan writer Mario Benedetti, whose work spans through novels, poetry and essays. This study mainly deals with his poetry with inquiries such as, the notion of operation, the emphasis of truth that his poetry reveals, writing as an act of celebration, and his rescue of prosaicism. In each one of these inquiries, the study tries to illustrate and interpret the mobiles within Benedettis literary operation' that serve to create an experiential and combative bond with the reader. Finally, it delves into the hermetic notion fusion of horizons' which helps us understand the peculiar way in which Benedettis poetry reaches a condition of dialogue.] | - |
dc.description.abstract | According to critics, La Regenta was considered as the first
naturalistic novel and one of the best novels in Spanish literature. Therefore we have studied and researched much until today in several respects: in comparison with French and Spanish naturalist writers; compared with Don Juan; in feminism and psychological analysis of several characters. I think almost nothing left to study on this work, as there are abundant studies of La Regenta. But analyzing this work, I have seen a link between free indirect discourse and duality of the main characters, specially Ana Ozores and Fermín De Pas. Although La Regenta is written in naturalistic style, it does not fully conform to the canons of naturalism. La Regenta stands transgression of the dogma of total objectivity. Almost of segments in La Regenta is doubly motivated, both contributing to the characters and constituting a reflecting device. Doubleness permeates La Regenta, and every element is conscious of and determined by its contrary. Segments are not simply opposites of one another; rather, one segment makes strange another segment in a reflection with combines similarity with difference in an ambiguos manner. This division of unity into doubleness is but the first strategy of the fragmentation of the text. Once the narrators authority has been debilitated, however, the fragments engage in dialogic interplay beyond his control. This leads to a duality of meanings and of the characters. | - |
dc.language.iso | es | - |
dc.publisher | 서울대학교 라틴아메리카연구소(SNUILAS) | - |
dc.subject | Mario Benedetti | - |
dc.subject | operación literaria | - |
dc.subject | prosaísmo | - |
dc.subject | poesía | - |
dc.subject | lector | - |
dc.subject | literary operation | - |
dc.subject | prosaicism | - |
dc.subject | poetry | - |
dc.subject | reader | - |
dc.title | La "operación literaria" de Mario Benedetti | - |
dc.title.alternative | The literary Operation" of Mario Benedetti | - |
dc.type | SNU Journal | - |
dc.citation.journaltitle | Revista Iberoamericana | - |
dc.citation.endpage | 126 | - |
dc.citation.number | 1 | - |
dc.citation.pages | 95-126 | - |
dc.citation.startpage | 95 | - |
dc.citation.volume | 23 | - |
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