Browse

한국 기존음악 음관계론 (1) -우조 초수대엽을 중심으로-
A Study on the Tonal Relation of Korean Pre-existent Music(1)

Cited 0 time in Web of Science Cited 0 time in Scopus
Authors
吳龍祿
Issue Date
1992
Publisher
서울대학교 음악대학 동양음악연구소
Citation
민족음악학, Vol.14, pp. 89-118
Abstract
The musical history of Korea in 20th century is tragic like the history of its people. We must understand Korean pre-existent music and Korean imported music correctly for resolving many problems ín the Korean musical circumstances.

The analystic study of Korean pre-existent music is proceeding in many regions

: pitch, scale, tonal relation, rhythm, changdan, instruments, gil, principle of formation, etc. This is the first article of a series of my study about tonal relation. The object of analysis is Ujo Chosudaeyöp in kagok repertoire. The preceding theory about this subject tells that tonal system of Ujo Chosudaeyõp is sol mode which ‘tonic’is Whangjong(eh), one of f our systems of seventeenth century. But I think ‘the important and stable tones' are Taeju(f) and Takimjong(bb) and its tonal system is different from that of seventeenth century.
Language
Korean
URI
http://hdl.handle.net/10371/86847
Files in This Item:
Appears in Collections:
College of Music (음악대학)Asian Music Research Institute (동양음악연구소)Journal of the Asian Music Research Institute (동양음악) 민족음악학 Volume 14 (1992)
  • mendeley

Items in S-Space are protected by copyright, with all rights reserved, unless otherwise indicated.

Browse