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目連戱 형성의 메커니즘
A Mechanism of Fonnation for Mulien Opera

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Authors
金映志
Issue Date
2001
Publisher
서울대학교 인문대학 동아문화연구소
Citation
동아문화, Vol.39, pp. 45-76
Abstract
目連戱는 근대 초기까지도 여전히 극단에 경제적인 이익을 가져다 주는 흥행력 있는 공연으로 자리잡고 있었다. 물론 흥행의 裏面에는 佛敎라는 異文化의 수용과정과 함께 문화사업에 대거 투자했던 商人의 학문에 대한 콤플렉스, 그리고 祖上崇拜와 疫病 퇴치라는 실질적인 수요 등 상당히 장기간 지속되어 왔던 여러 요소들이 복합적으로 얽혀 있다. 이 글의 초점은 이러한 문화적 흥행을 야기했던 요소와 그 형성의 메커니즘을 탐색하는 데에 놓여 있다. 현재 目連戱는 몇 번의 변신을 거쳐 佛敎가 中國에 잘 정착했듯이 중국문화에 성공적으로 수용되었으며, 문학 면에서는 傳奇라는 형식을 빌린 最長篇 戱曲으로 기술되고 있다. 본고의 문제의식은, 종래에 戱曲史에서 이것을 ‘最長篇 戱曲’ 혹은 ‘수준이 낮은 民間戱曲’으로 규정하였던 원인을 되짚어 보면서 발출되었다.



This article is regarding research methodology of Chinese popular culture and it attempts to elaborate Mulien culture which was widespread throughout the first half of 20th century. Mulian culture was initiated from Buddhism, more accurately the stories of Buddhism and it had continuously absorbed various kinds of local religious characteristics through the several stages of transformation such as 變文, 寶卷 and theatrical drama. This phenomenon was carried out through the basic life styles of common people so that if we look these transformations from the perspective of contemporary literature, it is a quite similar to what has become the modern status of ritualistic drama also known as 迎神賽社 Here, 迎神賽社 meaning ousting of bad lucks in order to invite good lucks. Thus, in the common thought of Chinese people, the culture of Mulien was not only just experiencing or accepting a piece of literature, this transformation should be better recognized as a part of ritual procedure which was created and digested through the mixtures of Buddhism and local Shamanism. This is the main point of this article, which it concentrates to differentiate the gap of what Mulien culture in the view point from simple literature interpretation against somewhat comprehensive appreciation of Mulien culture as a form of ritual procedure. Therefore, in this article, the big question comes in place as that the different interpretation is it a simple literature or is it a complex product of religious ritual procedure as well as a form of literature is needed to be refuted as the questions of what is literature and religion? and how these factors have influence the development of Chinese popular culture. As the first step to explain this transformation of Mulien culture, this article has cautiously separated Mulien culture into two distinctive stagesan elaboration of its origination and subsequently the alteration periods. And, in more detail, this article specifically tries to answer the alteration periods or development of Mulien culture into two distinctive areas often called as ritual opera and literature. Therefore, this article should be regarded as an approach to settle confronted questions of double-faced interpretation for one particular phenomenon which has had revealed two different perspectives to the peoples who have approached this phenomenon into two different points of view known as ritual opera and literature regarding this particular cultural event. For those reasons, this article tries to dwell a bit more into the dangers involved in the lopsided interpretation of certain texts and the hasty conclusions of a phenomenon which could have much wider and deep interpretations in its true nature. Therefore, this article is devoted to carefully sort out some potential discrepancies and lopsided inception of this culture movement known as Mulien culture in order to propose many other valuable interpretations which could bring this argument into an another level.
ISSN
1598-0200
Language
Korean
URI
http://hdl.handle.net/10371/87742
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College of Humanities (인문대학)Center for East Asian Studies (동아문화연구소)Journal of S.N.U. Institute for Asian Studies (동아문화)동아문화 Volume 39 (2001)
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