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아나톨리 김의 환상문학 이해를 위한 서설 : A. Kims Theoretical Methods to Fantastic Literature
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 심민자 | - |
dc.date.accessioned | 2014-01-15T01:17:04Z | - |
dc.date.available | 2014-01-15T01:17:04Z | - |
dc.date.issued | 2004 | - |
dc.identifier.citation | 러시아연구, Vol.14 No.1, pp. 29-59 | - |
dc.identifier.issn | 1229-1056 | - |
dc.identifier.uri | https://hdl.handle.net/10371/88145 | - |
dc.description.abstract | Recent genre theory has changed its attitude towards the notion of genre. While traditionally it has been considered as a label implying a fixed set of criteria, genre is now viewed as a system for the production of meaning. It tends to be considered as a tool for reading and interpretation. I address the issue of theory. Accepting, for the sake of convenience, a simple tripartite division of Author/Work/Reader, I focus attention on the relationship between the work and the reader (as a part of the literary scheme), rather than on the relationship between the author and his work. I select, therefore, genre' as a basic term for my theoretical discussion, rather than such received notions as 'mode' or 'impulse'. Genre, as I see it, serves as a foundation for reader - oriented criticism, and is related primarily to understanding and interpretation; Whereas mode and impulse - both new concepts - usually refer to trans-generic notions of authorial vision and creativity. | - |
dc.language.iso | ko | - |
dc.publisher | 서울대학교 러시아연구소 | - |
dc.title | 아나톨리 김의 환상문학 이해를 위한 서설 | - |
dc.title.alternative | A. Kims Theoretical Methods to Fantastic Literature | - |
dc.type | SNU Journal | - |
dc.contributor.AlternativeAuthor | Sim, Min-Ja | - |
dc.citation.journaltitle | 러시아연구(Russian Studies) | - |
dc.citation.endpage | 59 | - |
dc.citation.number | 1 | - |
dc.citation.pages | 29-59 | - |
dc.citation.startpage | 29 | - |
dc.citation.volume | 14 | - |
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