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FROM RIMBAUD TO LALO CURA IN BOLARO'S NARRATIVE: THE WOUND THAT DOES NOT CLOSE

DC Field Value Language
dc.contributor.authorClaudia Macias, Maria-
dc.date.accessioned2022-05-04T02:06:07Z-
dc.date.available2022-05-04T02:06:07Z-
dc.date.created2022-03-07-
dc.date.issued2021-12-
dc.identifier.citationAnales de Literatura Chilena, Vol.22 No.36, pp.153-171-
dc.identifier.issn0717-6058-
dc.identifier.urihttps://hdl.handle.net/10371/179507-
dc.description.abstractThis article considers Arthur Rimbaud's influence on Roberto Bolano, which he recognized in his works of fiction, his essays, and interviews. This influence has been widely cited in previous studies, but this article reviews the particular way in which the French poet influenced Bolafio's imaginary, comparing with Rimbaud's influence on Chilean writers admired by Bolaflo. Specifically, Rimbaud's life and work affects the configuration of the character Lalo Cura, in a story that connects three of Bolafio's most important novels. Gilles Deleuze's reflection on event and wound, from Joe Bousquet, will allow us to understand all violence as a single experience that is repeated and inherited throughout history.-
dc.language영어-
dc.publisherCentro de Estudios de Literatura Chilena, Instituto de Letras, Pontificia Universidad Catolica de Chile-
dc.titleFROM RIMBAUD TO LALO CURA IN BOLARO'S NARRATIVE: THE WOUND THAT DOES NOT CLOSE-
dc.typeArticle-
dc.citation.journaltitleAnales de Literatura Chilena-
dc.identifier.wosid000746905500009-
dc.citation.endpage171-
dc.citation.number36-
dc.citation.startpage153-
dc.citation.volume22-
dc.description.isOpenAccessN-
dc.contributor.affiliatedAuthorClaudia Macias, Maria-
dc.type.docTypeArticle-
dc.description.journalClass1-
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