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The Bells Take This Longing: A Psychosemiotic Approach to Leonard Cohen
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Vorhees, Duane | - |
dc.date.accessioned | 2009-03-30T04:07:33Z | - |
dc.date.available | 2009-03-30T04:07:33Z | - |
dc.date.issued | 1988 | - |
dc.identifier.citation | 영학논집, Vol.12, pp. 120-127 | - |
dc.identifier.uri | https://hdl.handle.net/10371/2131 | - |
dc.description.abstract | As anyone who has ever felt the spontaneous need to write poetry knows, a poem is an expression of some inner compulsion. As any psychoanalyst knows, the resultant poem is an expression of some unconscious desire that is normally repressed in everyday language, so the poet cannot say what he really means but is forced to assert some mimetically false but similar statement instead─if poets could say what they mean directly they would have no need for figurative or stylistically deviant language. And as any semiotician knows, a poem is a linguistic transformation of sounds into an integrated series of symbols: a pure poem would have no unconnected elements whatsoever. | - |
dc.language.iso | en | - |
dc.publisher | 서울대학교 인문대학 영어영문학과 | - |
dc.subject | poet | - |
dc.title | The Bells Take This Longing: A Psychosemiotic Approach to Leonard Cohen | - |
dc.type | SNU Journal | - |
dc.citation.journaltitle | 영학논집(English Studies) | - |
dc.citation.endpage | 127 | - |
dc.citation.pages | 120-127 | - |
dc.citation.startpage | 120 | - |
dc.citation.volume | 12 | - |
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