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이건용의 <해금가락 II> 분석연구 : (A) study on Lee Geonyong`s
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | 임재원 | - |
| dc.contributor.author | 강지은 | - |
| dc.date.accessioned | 2010-05-10T05:01:55Z | - |
| dc.date.available | 2010-05-10T05:01:55Z | - |
| dc.date.copyright | 2010 | - |
| dc.date.issued | 2010 | - |
| dc.identifier.uri | http://dcollection.snu.ac.kr:80/jsp/common/DcLoOrgPer.jsp?sItemId=000000033822 | kog |
| dc.identifier.uri | https://hdl.handle.net/10371/65094 | - |
| dc.description | 학위논문(석사) --서울대학교 대학원 :음악과(국악기악전공),2010.2. | ko |
| dc.format.extent | viii, 96 p. | ko |
| dc.language.iso | ko | ko |
| dc.publisher | 서울대학교 대학원 | ko |
| dc.subject | 음계의 혼용 | ko |
| dc.subject | mixed use of scale | ko |
| dc.subject | 중심음 구조 | ko |
| dc.subject | central note structure | ko |
| dc.subject | 전통음악적 선율형태 | ko |
| dc.subject | traditional-melody structure | ko |
| dc.subject | 허튼가락 | ko |
| dc.subject | Heotten-garak | ko |
| dc.subject | 운지법 | ko |
| dc.subject | fingering | ko |
| dc.subject | 해금가락 Ⅱ | - |
| dc.subject | Haegeum-garak Ⅱ | - |
| dc.title | 이건용의 분석연구 | ko |
| dc.title.alternative | (A) study on Lee Geonyong`s | ko |
| dc.type | Thesis | - |
| dc.contributor.department | 음악과(국악기악전공) | - |
| dc.description.degree | Master | ko |
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