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김영랑論―審美的인 것의 構造와 意味

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dc.contributor.author임수만-
dc.date.accessioned2010-05-20T03:46:12Z-
dc.date.available2010-05-20T03:46:12Z-
dc.date.issued2007-06-
dc.identifier.citation한국문화, Vol.39, pp. 31-63-
dc.identifier.issn1226-8356-
dc.identifier.urihttps://hdl.handle.net/10371/66818-
dc.description.abstractIn this article, I have examined the poems of Kim Young-rang(金永郞), focusing on the meaning of pursuit of beauty. Up to the present, the existing valuations for it were opposed to an extreme. This problem is concerned in a pair of philosophical opposition like as beauty/ethics, the subject/the object, etc. I scrutinized this dichotomy.

I kept an eye on the paradox and the power of sensation in his poems which could overcome those dichotomy. In Young-rang(永郞)"s poems, the sensation did not cast an anchor in subjective isolation, but it was a field of vivid communication between the subject and the world and it was a field of a phenomenon in which original powers of our life exist. And I paid attention to the structure of paradox in which the sensibility-perceptional meaning-element and the ascendant meaning-element were join.

These sensation and paradox were the origin and structure producing the aesthetic in Kim Young-rang(金永郞)"s poems.
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dc.language.isoko-
dc.publisher서울대학교 규장각한국학연구원-
dc.title김영랑論―審美的인 것의 構造와 意味-
dc.typeSNU Journal-
dc.contributor.AlternativeAuthorLim, Soo-man-
dc.citation.journaltitle한국문화-
dc.citation.endpage63-
dc.citation.pages31-63-
dc.citation.startpage31-
dc.citation.volume39-
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