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김영랑論―審美的인 것의 構造와 意味
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 임수만 | - |
dc.date.accessioned | 2010-05-20T03:46:12Z | - |
dc.date.available | 2010-05-20T03:46:12Z | - |
dc.date.issued | 2007-06 | - |
dc.identifier.citation | 한국문화, Vol.39, pp. 31-63 | - |
dc.identifier.issn | 1226-8356 | - |
dc.identifier.uri | https://hdl.handle.net/10371/66818 | - |
dc.description.abstract | In this article, I have examined the poems of Kim Young-rang(金永郞), focusing on the meaning of pursuit of beauty. Up to the present, the existing valuations for it were opposed to an extreme. This problem is concerned in a pair of philosophical opposition like as beauty/ethics, the subject/the object, etc. I scrutinized this dichotomy.
I kept an eye on the paradox and the power of sensation in his poems which could overcome those dichotomy. In Young-rang(永郞)"s poems, the sensation did not cast an anchor in subjective isolation, but it was a field of vivid communication between the subject and the world and it was a field of a phenomenon in which original powers of our life exist. And I paid attention to the structure of paradox in which the sensibility-perceptional meaning-element and the ascendant meaning-element were join. These sensation and paradox were the origin and structure producing the aesthetic in Kim Young-rang(金永郞)"s poems. | - |
dc.language.iso | ko | - |
dc.publisher | 서울대학교 규장각한국학연구원 | - |
dc.title | 김영랑論―審美的인 것의 構造와 意味 | - |
dc.type | SNU Journal | - |
dc.contributor.AlternativeAuthor | Lim, Soo-man | - |
dc.citation.journaltitle | 한국문화 | - |
dc.citation.endpage | 63 | - |
dc.citation.pages | 31-63 | - |
dc.citation.startpage | 31 | - |
dc.citation.volume | 39 | - |
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