단종복위사건의 역사화 제작연구

Abstract

This study aims at giving shape to the Resotoration Event of Tanjong through an interpretation of royal authority, the restoration plan of the abdicated king by Zip-hun-Jun scholars led by Sung, Sammun, and the events related with Kumsung royal prince. The Resotoration Event of Tanjong was planned on the basis of the confucian moral obligation, fidelity and loyalty of that time, that maintained the five-hundred-year-long Chosun Dynasty, and these resulted in struggle, resistance and death. This feature is rather peculiar: it is a natural form of existence, but on the other hand, it is a result of ideologies solely possessed by human being. A human belong is an ecological being who puts ideologies into practice. Nevertheless, it seems that the Chosun people have not expressed this event onto the canvass until hundreds years after its occurrence. Historical paintings are mostly produced on the basis of reasoning Judgement grounded upon individual experience, and of information provided by visual materials. That is, they base on the form of visual experience of an artist. It is for the most part impossible for a painter to be present in historical incidents. No historical event happens as if planned, and to be recorded on the spot. Also, even if the painter knows this fact, the visual sensation of human being is limited and cannot look into every fact. This very fact enables us formalize incidents, an artistic farm to exist forever. Since it is related to a matter of knowing about human being's world, it is an eternal matter and so it is a matter of art.