朝鮮朝 儀軌에 나타난 宴禮樂의 變遷 -進宴, 進饌, 進爵儀軌를 중심으로-

Abstract

In this paper, the changing process of musicians and instruments from the King

Sejongs reign to the Kojongs and the Court Music played especially for banquet, parties and royal parades were studied based on Jinyôn Ogue(進宴構軌; Book on the Royal Feast) , Jinchan chan Ogue(進體構軌) ， and Jinjak Ogue(進霞構軌) in which the whole program of the court ceremonies in the Chosõn dynasty was recorded. At the beginning of the King Sejongs reign, the main stream of the Yonryeak(宴禮樂; the Royal Banquet Music) was Aak(雅樂; ceremonial music of chinese origin) and Tangak(康樂)， while Hyangak(椰樂) was only used for finale. During the Sõngjongs reign {1467 -1494) , the characteristics of Yonryeak(宴禮樂) was changed to the component of the Royal Banquet Music being Tangak(康樂曲) pieces, while the purpose of Hyangak(椰樂曲) pieces was smiliar to that of the early Chosõn dynasty. But the use of Hyangak(鄭樂曲) pieces was slightly increased during the Sukjong and Youngjos reign.