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Zweite Heimat-zweite Fremde : Second Homeland, Second Outland

DC Field Value Language
dc.contributor.authorSeel, Daniel N-
dc.date.accessioned2014-01-14T05:37:46Z-
dc.date.available2014-01-14T05:37:46Z-
dc.date.issued2012-12-
dc.identifier.citation동양음악, Vol.34, pp. 157-181-
dc.identifier.issn1975-0218-
dc.identifier.urihttps://hdl.handle.net/10371/87933-
dc.description.abstractBefore I first came to Korea, I had already written, or at least had begun to write, a great deal of "Korean" pieces, For example, just to name two of them : The musical parade about IMUGI (이무기, 1992) is a strange hybrid of serpent and dragon, an odd composition with similarities to German carnival and Chinese dragon processions, religious rituals, military marches, and an avant-garde scouting of space and time. Also, the one-hour Cello-solo-piece Skordaturen II(1992~94), refers to the slow movements Jinyang(진양) and Jung-mori(중모리) of Komun'go-Sanjo(거문고 산조).-
dc.language.isode-
dc.publisher서울대학교 음악대학 동양음악연구소-
dc.titleZweite Heimat-zweite Fremde-
dc.title.alternativeSecond Homeland, Second Outland-
dc.typeSNU Journal-
dc.citation.journaltitle동양음악(Journal of the Asian Music Research Institute)-
dc.citation.endpage181-
dc.citation.pages157-181-
dc.citation.startpage157-
dc.citation.volume34-
Appears in Collections:
College of Music (음악대학)Asian Music Research Institute (동양음악연구소)Journal of the Asian Music Research Institute (동양음악, JAMRI)동양음악 Volume 34 (2012)
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